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Writing Great Fiction III

Writing Great Fiction III

PART 3: THE HOW

Finally, we come to How to write fiction.

The first time I sat in front of my laptop to begin writing Dangle, I had the heebie-jeebies. So I decided to go with a process…one that has been followed by most well-known writers. The premise was ready. I was sure who the main protagonists of my story were. The structure of the plot was laid out in my mind. So I buckled down to outlining the first ten chapters in black and white.

Based on my learning, here are some basics.

Outline

On his website, Author Ken Follet says that an outline is an absolute necessity to him. Writing an outline always helps to put your thoughts in order and makes it easier to correct your mistakes.

What is an outline? An outline usually tells what happens in the novel, chapter by chapter and also sketches biographies of the characters. But don’t feel constrained by it. They are road maps that allow flexibility. Take a look at the outlining process.

Build a tight premise

Begin your outline with a tight premise which becomes a solid guide to your story telling. See that it answers the following questions:

  • Who is the protagonist?
  • What is his/her objective?
  • What is the situation?
  • What is the original condition of the protagonist and how will it change for the better or worse at the end of the story?
  • Who is the opponent?
  • How will the opponent prevent the protagonist from reaching his/her objective?
  • What is the conflict?
  • What is the resolution?

When you have the answers, combine them into one or two sentences and you have a fleshed-out premise.

Make brief sketches of scene ideas

List out the scenes that come to your mind when you think of the premise. Highlight those in the list that raise questions and then answer them. Ensure to use a great deal of freedom and creativity during this part of outlining.

Profiling characters

You need to create a cast of characters that leads you through your story. Start profiling their lives from when they appear in your story.

Choose settings

Select settings that are inherent to the plot. Based on the scene ideas, make a list of settings.

Complete the outline

Now you will need to write out the complete plot. How elaborate you want it to be is up to you. You can write single sentences or more for each scene.

Concise your outline

It is possible that your outline may have become extensive and you will want to condense it.

Put your outline to action

Now you can get going on your first draft. While the outline will be a guide, never be afraid to deviate from it or explore new ideas.

Outlines are also helpful when you want to send your story for either reader feedback or to your publisher because it is your story in a nutshell.

Write what you love

For your writing to be worth anything, write what you love reading. Just because the market is good for romances, you decide to write a romance even if it is a genre that does not appeal to you. The chances are your romance will not appeal either. As a writer, I am fond of discovering how the human mind works and thrillers chill me out. So all my books from historical novels to true-blue thrillers to short stories have the leit motif of mystery running through them.

Having read a great deal of your favourite genre, you will be able to instinctively sketch out the scenes, dialogue and action. Good writers always read with an eye for the writing. Unconsciously they learn and then use them in their own writing.

Know about structure

Any aspiring writer must learn about the elements that comprise the elements of a story, such as protagonist, antagonist, conflict, arc, climax, resolution, character, back story. If you do not bother to study about these, your novel could be missing a few and may turn out incoherent or flat.

Structure is how the story is organized. Plot comprises of the main events. Setting is the time and place where the story occurs. Characters are the people in the story. Finally, the theme is the main message, the central idea, of the story.

Make time

You may have been dreaming for years but if anyone tells you to write, you say, ‘I am too busy.’ Not just you, everybody is busy with family, work and a trillion other things. But if you are serious about writing your book, you will make time for it. Steal time from your schedules, get up earlier, sleep later…do whatever works for you. If you have the passion you must find the way. I gave up a corporate job and a fat salary to just write all day but that was my choice. You may do it differently but never be too busy to write. As Jack London said, ‘You can’t wait for inspiration; you have to go after it with a club.’

Rewrite

However good you think you are or how much ever your friends praise your writing, your first draft is never good enough. Sending a first draft to an editor or agent is asking for a sure rejection of your manuscript. First drafts are only the beginning. Write it and keep it away for a couple of weeks. Then go back to look at it with new eyes. Sure enough you will find gaps to fill and holes to plug. Never hesitate to rip, rip and rip again. Refine your writing till it is a polished jewel. As Dorothy Parker said in, The Art of Fiction, ‘I would write a book, or a short story, at least three times – once to understand it, the second time to improve the prose, and a third to compel it to say what it still must say.’

For me, rewriting is a must-do. Whether a short or long fiction, only after several drafts do I send it to my editor and then go through more drafts before editing starts.

True writing is rewriting. When you revise magic happens. The best, most inspired ideas often appear during rewriting.

Your voice

Read other writers as much as you can but never try to copy anyone’s style or narration. Develop your own way of telling a story. Each of us has a unique way of speaking, then why should we write like others? The specific way we write is called our ‘voice’. It is not only a unique way of putting words together, but a unique sensibility, a distinctive way of looking at the world, an outlook that enriches a writer’s opus.

Voice is the distinct personality, style, or point of view of your writing. That is what Simon Cowell means when he tells ‘American Idol’ contestants to make the song their very own and not just do a note-for-note karaoke version.

Besides voice is a significant qualitative element of all good writing and every writer must develop one.

And lastly

Ignore the rules (Including mine) 

You will get as much advice and theories as people. They will want to pigeonhole you, put you in a genre with its own rules and traditions. But like all rules, these are indicators to show you direction. None of it is must-do but it is good to be informed so that you are that much aware of the why, what and how that categorises good writing.

Shakespeare or Tolstoy didn’t follow rules. I think many of us, writers, write better when we leave restrictions behind… when the only thing to be true to is ourselves and our writing.

Let me leave with this thought to chew on.

Writing fiction is an art. At the end of the day, it requires a lot of patience, practice and determination. Eventually, it is well worth the effort because that is what transforms just any fiction into great fiction!

 All Rights Reserved. Copyright @Sutapa Basu 2019. First published on Readomania.com

 

Writing Great Fiction III
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